Discovering Hemingway's Legacy at 1729 Grand

I wrote this piece originally for an Associated Press blog published daily by former Kansas City bureau chief Paul Stevens, he of the near mirror-image name.

In my earliest days at The Kansas City Star, the AP officed on the third floor in the temple of journalism that William Rockhill Nelson built, and Ernest Hemingway's ghost was hardly around.

Hemingway had been dead for a decade, and, to me, he was just someone whose work I'd read in school. I don't recall any substantial discussions about him in the building, nor was I impressed that his name appeared in bronze on a plaque that listed Star staffers who served in the first world war. It would be years before I began to appreciate not only his place in American literature but also his legacy as a cub reporter in the very newsroom where I spent more than 40 years as a writer and editor.

A WWI service plaque in the historic Kansas City Star building keeps the Hemingway link alive. I'll be curious to know where the plaque will go when a new owner takes over the building.. 

By 1999, the centennial year of Hemingway's birth, I had leapt into his world with abandon as I prepared a special-section tribute for The Star, "Hemingway at 100." I read deep into Hemingway's work, met many literary scholars at conferences, and began researching his life and work, especially his Kansas City period of 1917-18.

 It seemed like such a folly, expecting to find morsels that hadn't already turned up in the many Hemingway biographies and scholarly works published even then. But I trudged on periodically, examining Hemingway's papers at the John F. Kennedy Library in Boston and elsewhere, inching through The Star on microfilm, and traveling to places that shaped the outsized talent, who possessed an indelible sense for the art of the word along with a knack for bombast and bad behavior.

When I chose to retire from the newspaper in March 2016, it was full-steam ahead on the biography that I'd been scratching at for too many years. A couple of months into the new round of work, an important insight emerged. For all those years I thought I'd been working on "Hemingway in Kansas City." But who would care about that? I finally realized. The morning that I reshaped my project as "Hemingway at Eighteen" turned out to be critical. Long story short, I refashioned a formal proposal that I'd been floating and within two weeks sold the book to an editor at the Chicago Review Press. The expanded time frame allowed me to take Hemingway from Kansas City to the ambulance service in Italy, where, two weeks before his 19th birthday, he suffered a near-death wounding on the war front along the Piave River.

Those two peak, teen-age experiences now form the bulk of my book.

At a conference last spring, I learned that slice-of-life biographies had taken the publishing world by storm. Sure, full-life biographies remain the ultimate standard for many authors and readers. But the kind of closely focused books expertly cast and popularized by my friend Candice Millard (on Teddy Roosevelt, President John Garfield and Winston Churchill) have blossomed. Ever since, I've been saying that of the dozen or more Hemingway books appearing in 2017 alone, mine, I'm sure, is the sliciest.

The book, subtitled The Pivotal Year That Launched an American Legend, begins with the recent high school graduate unsure of what to do with his life as he worked his family's vacation farm fields in Michigan and fished for trout. College was out of the question for a while, and Kansas City became the default when Hemingway ultimately determined the Chicago newspapers weren't hiring but an uncle could get him a job at The Star. Kansas City's lively, gritty and sometimes mean streets, along with the newspaper's colorfully intense daily grind, served as something like a college education for Hemingway. The book details some of his more notable pieces for the paper, presents some little-known background about The Star and the city, and delivers some previously unheard contemporary voices about Hemingway, the budding writer. For the world of journalism, it also raises new questions prompted by a surprising piece of history I was finally able to confirm after many years of trying - the time that Hemingway was called to testify before a federal grand jury.

Hemingway at Eighteen comes out in October, 100 years after Hemingway's arrival in Kansas City. And 100 years after the very beginning of his self-invented life as a writer.

"Hold the Ground": An Evening With Terry Tempest Williams

     It has been way too long since I’ve given myself the gift of a quality road trip out West. Yellowstone. Colorado. New Mexico. Big Bend. Those wide open, mysterious and treasured landscapes have framed indelible encounters with earth and sky over the last four decades or so.

     Fourteen years ago, I led an odd post-modern trek along the Lewis and Clark Trail. After a rough-water encounter in the middle of the Missouri River in Montana, I lived to tell about it in a newspaper series. That two-week journey went from Missouri to the Oregon coast and back. On the trip home, I convinced my traveling companions to go along on a brief detour so I could take a look at the Bear River Migratory Bird Refuge in Utah. For me it was a pilgrimage, paying a debt I owed. Terry Tempest Williams first introduced me to Bear River by way of the written word. The refuge plays a prominent role in her deeply moving and provocative memoir Refuge: An Unnatural History of Family and Place (1991). In the book, Terry wove together three threads – an intimate account of her mother’s death by cancer; the troubling parallel story of the rising waters of the Great Salt Lake and the precarious fate of the Bear River refuge and the millions of birds that rely on its place along their seasonal flyways; and, third, the disturbing theme that questioned how American nuclear bomb tests in the desert in the 1950s very likely affected the health and lives of downwinders, especially of women in her devoutly Mormon extended family. There’s the chilling moment when she learns that one of those enormous flashes went off as her father drove in the desert and her mother sat in the passenger seat pregnant with the future writer and activist.

     I heard Terry read that aching essay, fresh out of the typewriter, in 1989 at a writer’s workshopin Ranchos de Taos, N.M. Later, I reviewed her book, and followed her travels and her work over the next quarter of a century. Whenever my own travels take me to wilderness, to natural landscapes, or even when I’m only a spectator flying over those brown and rolling deserts of the west, I always feel I am carrying Terry’s spirit of openness, awe, and love for the wild. A sense of native identity and energy also imbues her regard for those lands, as well it should.

     In recent years I’m mostly the armchair schlub who reads about wilderness more than he enters it. From time to time I make a winter excursion into the desert of New Mexico, to the Jemez Pueblo, where the annual Three King’s feast day Buffalo Dance undulates for hours in a ritual of patterned motion and spirit sounds. The dance and its continual drumming amount to an expression of identity as authentically American as anything one could think of. (See my column of football, healing and the Buffalo Dance.)

     Well, the point of all this is that Terry came to Kansas City last week for a library talk about the making of her most recent book, The Hour of Land: A Personal Topography of America’s National Parks. Originally imagined as a “love letter” to our wild lands on the 100th anniversary (in 2016) of the National Park Service, the project became far more challenging, she confessed. At first it seemed somewhat beyond her grasp. She had to figure out which of the 59 parks to write about and then how to do it. In the end, Terry being Terry, the book she turned in was far more political than her editors had expected. As she hikes the contours of, say, the Theodore Roosevelt National Park in North Dakota or Acadia in Maine, she is never far away from vital and threatening issues such as fracking, land use, and encroaching development. She confronts controversy head on, including a scandal a few years ago over construction and desecration at the Effigy Mounds National Monument in northeast Iowa, which prompted a period of distrust among numerous tribes.

     Also that night at the Woodneath Library Center she expressed the deep disappointment brought about by the fossil-fuel priorities of the current administration. Currently under way is a plan to erase or severely diminish the Bears Ears National Monument in her native Utah. The 1.3-million-acre expanse had gained federal protection in the last months of the Obama administration, and, like almost everything passed by the 44th president, it swiftly became a candidate for repeal. Terry had been a vocal advocate for the Bears Ears designation, siding with the five Indian tribes – Navajo, Hopi, Zuni, Ute Mountain Ute and Ute Indian – who sought to forestall looming energy production on what they consider to be sacred space.  In the long debate over Bears Ears, Terry said, Utah Sen. Orrin Hatch, the crusty Republican, once declared the indigenous people did not know what they were talking about. “That’s not patronizing,” she told the 100 or so people in the audience. “It’s racism.”

     She also brought us up to date on the oddly ironic legal case the federal government brought against her and her husband, because they had the audacity to purchase two oil and gas leases covering about 1,000 acres in Utah without any intention of drilling. The Bureau of Land Management rejected the purchase, and their appeal is pending.

     Terry mission is to be a storyteller, and she closed the evening with two compelling anecdotes. One, which she recounts in the book, involved a harrowing afternoon at Glacier National Park when three forest fires converged and blew past the inn where she and three dozen others huddled inside. The other was a sight she witnessed with her husband, Brooke, at Yellowstone. Coyotes were feeding on a bison carcass in the near distance. A white wolf emerged from the trees and took control of the blood-soaked remains. Soon, after the wolf left, a procession of bison lumbered into view and encircled the fallen creature in what felt like a miraculous ritual of animal spirit. “We are not,” she said, “the only species that loves and grieves.” To Terry Tempest Williams, the large-hearted naturalist, evocative writer and fiercely active defender of nature, the spirits were sending a message: “Hold the ground. Hold the ground. Hold the ground.”

Billy Bragg on the American roots of British music

It was great to hear Billy Bragg on Fresh Air this week. Some of us in Kansas City were lucky to hear much of this story earlier this year when he spent a few days at the Folk Alliance International conference. In one appearance he talked about the pivot point in the mid-1950s when a skiffle player named Lonnie Donergan began covering Lead Belly's "Rock Island Line." Without that, Bragg said, there'd be no Beatles, no Led Zeppelin, etc. Bragg elaborates on all this in a new book, which he told me about back then at a reception. I was excited to hear about it, and now that the book, Roots, Radicals, and Rockers, has just been published, I hope to get to it soon.

Here's a link to that the Fresh Air interview: http://www.npr.org/2017/07/19/538079082/billy-bragg-on-skiffle-the-movement-that-brought-guitar-to-british-radio

And here's a video I shot at Folk Aliiance of Bragg playing one of his better known tunes: https://www.youtube.com/watch?v=ZCnGcsS3BU4

What's that wine in your glass?

Doug Frost is a bona fide treasure in the wine world. As a Master of Wine and a Master Sommelier -- that's an extremely rare combination of achievements -- he's got highly developed senses and a brilliant way of teaching the intricacies and boosting the pleasures of this life-affirming liquid. On Monday he joined the Gang of Pour group of Kansas City somms and restaurateurs (and somewhat educated observer-participants such as me) for a session on blind tasting. In blind tastings, of course, wine bottles remain in brown paper bags or otherwise hidden and tasters try to figure out what's in the glass. It ain't easy, but Doug has a way of making it logical and breaking it down to the elements that help you learn your way.

The Gang of Pour sessions now meet every two weeks at the lovely Ca Va bubbles spot in Westport and are open to KC bar professionals. This one was illuminating, exhilarating and rather difficult. Future sessions, led by a variety of wine pros, promise to be equally enjoyable.

Doug follows a consistent procedure, tied to the grid sheets used in sommelier certification exams. So we go through a fairly specific list of wine characteristics (color, hue, intensity, aromas, tastes, structural qualities) in order to get to a logical place in identifying each wine. Describe the floral and vegetal notes. Is this a warm climate wine or a cool climate wine? And why? How do you describe the levels of acid, tannin, and alcohol -- low, moderate, moderate-plus or high?

Doug spent a good part of the first hour of the session walking through each incremental step as it applied to a certain white wine. Then my classmates (about 20 of us) and I blasted through five more wines -- a second white and four reds -- having about four minutes each to make our IDs. For the record, I was mostly humbled, though I felt fairly good about some of my sensory responses, especially in analyzing structure. In the end, I did nail two of the six wines: an Australian Shiraz and a New World Pinot Noir (it was from New Zealand, but I couldn't get past New World, though probably would have landed on Oregon instead).

I've been learning from Doug for more than 20 years. He is not only incredibly on top of everything, he's got a great sense of humor, he's brutally frank, and he's totally committed to making wine drinking both fun and rewarding.

Sunday Morning Mind Expansion

Night Blooms Darkroom & Bookstore is the kind of little place that I would run if I ever went insane again and owned a bookstore, as I did two decades ago. This morning, Shawn E. Hansen (above) settled into the front of the shop for the second of five sessions to present an hour of mesmerizing music on an electronic keyboard in the guise of a hipster pipe organ. The music came in two halves: "Drones," which amounts to a steady rumble of trancelike atmosphere, and "Tapestries," which is an evolving, multi-layered piece with lyrical phrases, waves of celestial propulsion and loops of churning but wholly accessible textures. The latter half especially is very much in the mold of Philip Glass, an influence that Shawn readily acknowledges.

As it happens I sat at a table, browsing books, as he played and landed on a collection of poetry by Jorge Luis Borges. It was perfect text for the music, especially this: "I am the one who never has unraveled// the labyrinth of time, singular, plural,// grueling, strange, one's one and everyone's" (from "I Am," or "Soy" in the original Spanish, which I also read to enhance my recent exercises in the language).

To add to the experience, Shawn is dubbing audio cassettes to preserve the compositions (10 limited edition dubs per Sunday morning piece for $5 each). He'll be back for three more Sunday mornings in July, promptly at 10 a.m. To which I echo the photo: "Thank You." I plan to return.  

Fidel's Tomb

Not many American travelers to Cuba make it to Santiago de Cuba, on the southeastern coast. But the 500-year-old city has many attractions, including loads of music; the oldest extant colonial house on the island (c. 1540s), the Sierra Maestra range, out of which the Cuban revolutionary forces emerged; and the final resting place of El Jefe himself, Fidel Castro. His tomb at the Santa Ifigenia Cemetery in Santiago is a huge boulder shaped like a kernel of corn in homage to Jose Marti, the poet hero of Cuba whose domed monument stands nearby. June 19, 2017.  

And now a word from POTUS 2

On a recent visit to the Massachusetts Historical Society, an archivist brought out numerous items for inspection. One highlight was this letter from President John Adams to his wife, Abigail, in 1800, after a few days of living in the White House. Many people know its famous contents, because an excerpt has long appeared on the White House dining room mantel. It goes like this: “I pray Heaven to bestow the best of blessings on this House, and all that shall hereafter inhabit it. May none but honest and wise men rule under this roof.” If only he knew. — in Boston, Massachusetts.